Sweeping

Posted on November 30, 2015 by Thomas Bachand

Sweeping. Los Angeles County Museum of Art.

For a closer look at my editorial work, visit my editorial portfolio.

Canoes

Posted on November 27, 2015 by Thomas Bachand

Canoes. Point Reyes National Seashore.

This work is part of my examination of the California coast. For more, visit California Coast.

Dirty Dress

Posted on November 26, 2015 by Thomas Bachand

Dirty Dress. Fort Cronkite. Golden Gate National Recreational Area.

This work is part of my examination of the California coast. For more, visit California Coast.

Pasture

Posted on November 25, 2015 by Thomas Bachand

Pasture. Point Reyes National Seashore.

This work is part of my examination of the California coast. For more, visit California Coast.

Late Autumn River

Posted on November 24, 2015 by Thomas Bachand

Late Autumn River. Yosemite National Park.

Yosemite is an iconic landscape that has been closely examined by artists for well over a century. In keeping with this tradition, my photography of the park is varied and experimental. For more, visit my Yosemite and Digital History portfolios.

Trash Cans on the Truckee River

Posted on November 23, 2015 by Thomas Bachand

Trash Cans on the Truckee River. Lake Tahoe.

This work is part of my long term study of the Lake Tahoe region. More of my Tahoe work can be found at Lake Tahoe photography. For information on my best-selling monograph, visit Lake Tahoe: A Fragile Beauty (Chronicle Books).

Fog Shadow

Posted on November 20, 2015 by Thomas Bachand

Fog Shadow: Redwood National Park.

This work is part of my examination of the California coast. For more, visit California Coast.

180° Diptych Series: Crossings

Posted on November 19, 2015 by Thomas Bachand

Crossings: US 84. Texas. 180° Diptych Series of Keystone XL Pipeline construction corridor. Google Street View 2013.

In Crossings, the controversial delivery of tar sands oil to Port Arthur, Texas is examined at ground level through the dispassionate eye of Google Street View, the automated documentarian of our nation’s roadways. The 180° diptychs compiled here are composed of opposing camera views from each intersection between the Keystone XL pipeline corridor and the roving camera. This is a historical moment, captured incidentally, accessible for a year or so, and then deleted from the record at the next passing of the camera.

For more, visit Crossings and the Keystone XL Mapping Project.